Cruzados ! – She's ... Automatic !

12-04-2022

The band Cruzados has been active again since 2020 ! This band from Los Angeles was founded in 1984 and at the time stood out for their punky sound, which was not surprising because the members of the band came from the punk band The Plugz. In 1990 the band broke up and we ran into bassist Tony Marsico in Matthew Sweet's band. Marsico decided to revive Cruzados in 2020 with Ron Young (vocals), Rob Klonel (drums), Loren Molinare (guitar) and Mark Tremalgia (guitar). And it's good that the band is back because they still sound nice and raw and vicious. The band's punk past is clearly audible on a number of songs. For example, 'She's Automatic' is a punky rocker with a grinding raw sound in which the Diddley beat is rumbled in and in which Ron Young's vocals are ferociously roaring and there is a leading role for the razor-sharp howling slide guitar. 'In Wing And A Prayer' sounds like a punky fierce version of Dr. Feelgood. The fierce rocker 'Tilt A Whirl' sounds like the early days of Tom Petty & The Heartbreakers. Due to the coarse-grained vocals of Ron Young, the sound of Warren Zevon is also close by. A wonderfully sultry pumping song with vicious guitar work. In 'Across This Ghost Town' the blues is mixed with Americana a la the sound of Bob Seger and again Warren Zevon. 'Nine Million Tears' sounds like a garage punk song from ? & The Mysterians and is a fierce uncomplicated rocker. 'Long Black Car' is a cumbersome boogie that at times reminds me of ZZ Top's Tush and Son Of The Blues, co-written by Barry Goldberg, is an angular riff-rocker. Only in the subdued 'Sad Sadie' is gas taken back in a Bob Seger-like way. This album proves that it's a very good thing that The Cruzados are back. Recommended to fans of energetic raw rock ! Led by Founding Bassist-Songwriter Tony Marsico, Hard-Rocking Unit Regroups for a Post-Pandemic Blast Featuring Top-Flight Guests The new release, featuring 11 songs written or co-written by Tony Marsico, the bassist and co-writer for the Cruzados and a member of the band's punk-era precursor the Plugz, was issued on CD Aug. 24th, 2021 on Marsico's imprint Scamco. The LP edition is out on Deko Entertainment. The album is also be available on select digital and streaming platforms. The album is a live, hot, no-nonsense collection of hard-hitting rockers on which Marsico is joined by the members of his '80s L.A. contemporaries Little Caesar. The set's glittering group of guest musicians includes a host of noted L.A. punk vets, including John Doe (X), Dave Alvin (the Blasters), David Hidalgo and Steve Berlin (Los Lobos), and Melanie Vannem (the Muffs, the Pandoras). The Cruzados attracted national attention in the '80s with their stormy, Latin-inflected brand of post-punk hard rock. Signed to Clive Davis' Arista Records, the quartet issued two albums, "Cruzados" (1985) and "After Dark" (1987). They also made a high-profile screen appearance in the 1989 cult classic Road House. However, familiar rock 'n' roll pressures capsized the band in 1991; guitarist Marshall Rohner died in 2005, and drummer Chalo "Charlie" Quintana died in 2018. In the intervening years, Marsico worked on the debut album by Plugz and Cruzados singer-guitarist Tito Larriva's band Tarantula, today based in Austin. He also carved out a notable career as a top session musician and touring sideman with such artists as Bob Dylan, Neil Young, Roger Daltrey, Marianne Faithfull, and Willie Nelson. The bassist's studio and road stories are collected in two books, 'Late Nights with Bob Dylan' (2009) and 'I'm Just Here for the Gig !' (2020). With the onset of the pandemic in 2020 and the enforced solitude that followed, Marsico began to contemplate a new project under the Cruzados handle. "Being penned up with the pandemic at home for a year, I started questioning my mortality," he says. "I felt like I got shortchanged with the Cruzados. We never got to put out a third album, due to a lot of crazy circumstances that cropped up. I wanted to do the band justice and go out on a high note. That was my goal, and to pay tribute to Chalo and Marshall." Material for a new Cruzados release came quickly. "I wrote a batch of new songs during the pandemic at home," Marsico recalls. "I had a lot of frustration and anger that I had to get out of me. Before I knew it I had an album. There wasn't any big plan. I just felt motivated to do something more constructive than sit around being miserable about the state of the world." Songs co-written with former Fleetwood Mac guitarist Rick Vito ("Long Black Car") and veteran blues keyboardist Barry Goldberg ("Son of the Blues") were also brought to the table. "I'd always wanted to get those out, because we'd never properly released them," Marsico says. It didn't take long for Marsico to decide on the right musicians to carry on the Cruzados' legacy in the studio: He turned to singer Ron Young and guitarists Loren Molinare and Mark Tremalgia of Little Caesar, who were also active on the L.A. scene in the late '80s as a Geffen Records act. The core lineup was completed by drummer Ron Klonel, who has collaborated with Little Caesar in recent years. "The Little Caesar guys were Chalo's best friends, they were pals from back in the day," Marsico says. "I had to find the best guy to be the lead singer. My tastes have changed a little, the influences are blues and rock 'n' roll. I knew that Ron Young from Little Caesar loved blues, and we got to talking and we hit it off with the same style of music. I knew that he could pull this off and get behind it. "Loren Molinare was in the great '70s L.A. band the Dogs, of course, and I loved the Dogs, and Mark Tremaglia is a new guy I've been working with for a couple of years now. Rob Klonel is a great, solid rock 'n' roll drummer. It was really important for me to get someone who hit 'em hard like Chalo. They were a perfect combination of guys, and they had a lot of enthusiasm." With Bruce Witkin engineering and producing, the new Cruzados set up shop at Unison Studios in L.A. Marsico recalls, "We did it old style, we just set up in a room all together, like we used to do records before they started putting everybody in isolation booths and all that crap. We got the band together and rehearsed, and we went into the studio a week later. Before we knew it, we had the album. All live, no click tracks. We all played in our own little area, with our masks on. Set up, play, cut the songs, boom. It felt great to rock with a bunch of like-minded guys. With our special guests, half of them came to the studio, and half recorded their parts at home." "She's Automatic" is both a forceful continuation of the Cruzados' sound and an ardent homage to the work they began more than three decades ago. Marsico says, "I didn't like the way the Cruzados went out. We were really great friends. It was never a band that was at odds with one another. Yes, there were problems that tore us apart, but we were like family. Why not do it now? Life's too short, man. You've only got so much time you can rock 'n' roll."

1 On The Tilt A Whirl 3:34

2 Across This Ghost Town 4:27

3 Nine Million Tears 3:16

4 She's Automatic 3:30

5 Son Of The Blues 3:42

6 Sad Sadie 4:39

7 Long Black Car 3:42

8 Let Me Down 3:08

9 Wing And A Prayer 2:58

10 54 Knockouts 3:30

11 Rock That Boat 4:36

Bass - Tony Marsico